Martin Jay turns to this discourse surrounding vision and explores its often contradictory implications in the work of such influential figures as Jean-Paul Sartre, Maurice Merleau-Ponty, Michel Foucault, Jacques Lacan, Louis Althusser, Guy Debord, Luce Irigaray, Emmanuel Levinas, and Jacques Derrida. They have also criticized its supposed complicity with political and social oppression through the promulgation of spectacle and surveillance. These critics of vision, especially prominent in twentieth-century France, have challenged its allegedly superior capacity to provide access to the world. OL2721248W Page_number_confidence 96.93 Pages 654 Partner Innodata Pdf_module_version 0.0.17 Ppi 360 Rcs_key 24143 Republisher_date 20211123120208 Republisher_operator Republisher_time 362 Scandate 20211121130132 Scanner Scanningcenter cebu Scribe3_search_catalog isbn Scribe3_search_id 9780520088856 Tts_version 4.Long considered "the noblest of the senses," vision has increasingly come under critical scrutiny by a wide range of thinkers who question its dominance in Western culture. The noblest of the senses : vision from Plato to Descartes - Dialectic of enlightenment - The crisis of the ancien scopic régime : from the impressionists to Bergson - The disenchantment of the eye : Bataille and the surrealists - Sartre, Merleau-Ponty, and the search for a new ontology of sight - Lacan, Althusser, and the specular subject of ideology - From the empire of the gaze to the society of the spectacle : Foucault and Debord - The camera as memento mori : Barthes, Metz, and the cahiers du cinéma - "Phallogocularcentrism" : Derrida and Irigaray - The ethics of blindness and the postmodern sublime : Levinas and LyotardĪccess-restricted-item true Addeddate 13:07:01 Bookplateleaf 0010 Boxid IA40296206 Camera USB PTP Class Camera Collection_set printdisabled External-identifier Includes bibliographical references and index Refusing, however, to defend the dominant visual order, he calls instead for a plurality of "scopic regimes." Certain to generate controversy and discussion throughout the humanities and social sciences, Downcast Eyes will consolidate Jay's reputation as one of today's premier cultural and intellectual historians His book examines the myriad links between the interrogation of vision and the pervasive antihumanist, antimodernist, and counter-enlightenment tenor of much recent French thought. From French Impressionism to Georges Bataille and the Surrealists, Roland Barthes's writings on photography, and the film theory of Christian Metz, Jay provides lucid and fair-minded analyses of thinkers and ideas widely known for their difficulty. Jay begins with a discussion of the theory of vision from Plato to Descartes, then considers vision's role in the French Enlightenment before turning to its status in the culture of modernity. Martin Jay turns to this antiocularcentric discourse and explores its often contradictory implications in the work of such influential figures as Jean-Paul Sartre, Maurice Merleau-Ponty, Michel Foucault, Jacques Lacan, Louis Althusser, Guy Debord, Luce Irigaray, Emmanuel Levinas, and Jacques Derrida. These critics, especially prominent in twentieth-century France, have challenged vision's allegedly superior capacity to provide access to the world. Long considered "the noblest of the senses," vision has increasingly come under critical scrutiny by a wide range of thinkers who question its dominance in Western culture.
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